‘If Hawks were Doves’ - Red Velvet EP

Review Holly Johnston

Red VelvetOn listening to this 6-track Ep from the Cambridge-based band Red Velvet, I felt with each track that I was being taken back to another time of sepia colours and pork pie hats.  The CD begins with the title track If Hawks Were Doves where I could imagine myself sat in an old time, honky-tonk bar drinking in the atmosphere.  In some ways this song would fit well as the theme tune to a 70s comedy show, the words paint a story and the blues piano break in the middle fits perfectly.  

The second track is Imposter, which speaks of imposter syndrome and contains what Red Velvet describe as their first ever rap.  To me it was a bit more like spoken word, maybe because of the solid English accent that makes me think a bit of Dick Van Dyke in Mary Poppins and I say that with affection.  There’s some nice alliteration in the lyrics: ‘luckiest loser’ and the track showcases some really fluent piano flourishes.

Read more: ‘If Hawks were Doves’ - Red Velvet EP

The Silburys – Live at Spring Fest

Review by Holly D Johnston

SilburysThe Silburys
 are a full-band extension of Silbury Hill, the well-known guitar, mandolin, flute duo playing regularly around East Anglia.  Here, Scott Dolling and David Stainer are joined by Diz Deacon on bass / 12-string, and Martin Linford on drums.  When this live album arrived on my doorstep for review, I was delighted to realise I had been at the event when this was recorded and am one of the lucky listeners who can reminisce from my armchair.

The first thing to say is that this is indeed a live recording.  How often do you buy a CD at a gig only discover a recording baring no resemblance to what you heard on the night?  This CD packs all of the energy and enthusiasm you see, feel and hear at a Silbury gig. As they state on the press release – ‘no overdubs’; just pure bottled - or canned! -  Silburys.  This CD is live, complete with breath sounds (in ‘House of the King’ for example), enthusiastic applause and the flow and ebb of real music.

The Silburys repeatedly deliver homebred storytelling with tales from our own East Anglian soil.  This eight track album includes a song about ‘Thomas Wolsey’, ‘The Dunwich Bells’ about the town lost to sea, and ‘London’ a ship discovered sunk off the Essex coastline .  But what’s folk without a dose of innuendo? The ‘Bonny Black Hare’ is a bass led, throbbing interpretation of a traditional song that tips no hat to socks and sandals and will have your toes tapping, hips moving and body marching you will-lessly out onto the dance floor.

Read more: The Silburys – Live at Spring Fest

Foundlings - Hushwing

review by Simon Haines

Screenshot 2020 06 26 at 12.41.54On first listening to this recording made by East Anglian musicians, it took me back to music I’d first heard and been thrilled by in the mid-1970s: The Old Swan Band’s first recording: No Reels. Until that point I’d been a folk rock fan obsessed by the music of the Albion Dance Band, specifically the sophisticated drum and bass dominated The Prospect Before Us. That is still one of my favourite albums, but the appearance of No Reels sent me to music from older Topic label recordings: English Country Music (1965) and Country Music from East Anglia (1973). I felt that this was music that would have been played by the people of my grandparents’ and great-grandparents’ generation and I identified with it.

No surprise then that Foundlings (Norfolk Found Dance Tunes), a 21-track CD by Hushwing Village Big Band, brought back happy musical memories and at the same time introduced me to unfamiliar tunes. Although many of the tunes would have been played all over the country, Hushwing have chosen tunes originally played and recorded by Norfolk musicians Walter Bulwer, Harry Cox, Sam Larner, Billy Cooper, Stephen Poll, Herbert Smith, George Watson, Walter Pardon. A number tunes are attributed to “Gressenhall” and are taken from a suite written by Francis Cunningham Woods, a London musician who visited the Norfolk village of Gressenhall and reworked tunes he’d heard being played on the accordion (melodeon?) by an unnamed local millworker.

Read more: Foundlings - Hushwing

Playing for Time - Terence Blacker

Review by Val Haines

Playing for Time TBA few years ago we ventured into London, to Cecil Sharp House but not to see anything folkie. One of our favourite bands at the time, The Candle Thieves, an indie-pop duo with an all-age following were appearing on the bill. This duo were young but their sound was reminiscent of the Beatles/Kinks style of quirky, folksy pop which appealed to us and many of our age. Also performing were two young singer songwriters. You know the type, they sing about their journey on the bus here, wonder wistfully why their girlfriend left them, and describe all the time they spend alone writing songs. The young people in the audience loved them but our mid-age and older party tried our best to ensure or yawns were inaudible.

The appeal of Terence Blacker is that he knows about ageing and is determined to write songs and sing about it. Earlier classics of his such as Young Girl with the UkuleleSad Old Bastards With Guitars and I’d Rather Be French appeal to a certain generation of middle-class cynics - or sensible realists if you prefer. The appeal of listening to descriptions of being old has resulted recently in Terence teaming up with now older ex-agony-aunt Virginia Ironside. Virginia has made a late career out of describing life for older women in a humorous way. Her show, Growing Old Disgracefully, directed by Nigel Planer, debuted at the Edinburgh Festival in 2012 and sees her sitting in her armchair railing against aches and pains, the pressure to join a book-club or a cruise and anything else that old age throws her way. (Cruises now seem even less attracive than ever!)

We saw her show recently at Diss Corn Hall, a double bill with Terence entitled The Time of our Lives. Both performers reminisced about their formative years as well as cocking a snook at their third age. Terence was also promoting his new CD Playing For Time

The attarctive digipak CDs cover shows Terence as a young boy with a ukulele, looking I have to say, like a young Paul McCartney. The songs are, as you would expect, finely crafted and produced tracks covering the familiar topics of youth and bitter experience. Recorded in Italy and Suffolk, some of the tracks include lovely band arrangements. The musicians here are Hartmut Saam, accordion, Giovanni Rago, electric guitar, Fortunata Monzo, vocals, Giovanni Crecenzi, bass, Demenico de Marco, drums and percussion, and David Booth, bass, percussion and vocals. 

Read more: Playing for Time - Terence Blacker

"Waterbound" Alden, Patterson and Dashwood

Review by Colin Hynson

WaterboundWaterbound is the third full–length offering from the Norwich–based folk trio Alden Patterson and Dashwood (Christina Aiden on vocals and guitar, Alex Patterson on fiddle, vocals and shruti and Noel Dashwood on vocals and dobro guitar). It’s a refreshingly different listen from many similar offerings for one simple reason. The entire album of nine tracks was recorded in a studio in just ten hours. They played every track twice and chose one of them for the album. In only one case did they choose the second recording. There was no editing and no overdubs added. It’s an album stripped down to the basics

The nine tracks are a mixture of interpretations of traditional pieces of music and some self–penned pieces. All three members of the band contributed at least one of their own pieces. All of the pieces are original with the exception of The Old Priory which appeared on their first album Call Me Home.

Read more: "Waterbound" Alden, Patterson and Dashwood

Sleep Deprivation - Vicki Swan and Jonny Dyer

Review by Val Haines

SleepDeprivationTinyI’ve said it before and I’ll say it again, Vicki and Jonny are among the hardest working musicians on the folk scene. In addition to their vast performance schedule (sadly now covid-19 depleted), they have a back catalogue of 10 albums (some with supporting musicians) and eight books of tunes. When not playing the true folk stuff, they can be found in medieval garb at castles, Victorian costume at Christmas markets and in 17th century finery for the Playford experience. Jonny has even done a stint at the Globe Theatre. I’m guessing that for 'contra' they dress in their own clothes.

Read more: Sleep Deprivation - Vicki Swan and Jonny Dyer

The Sea is My Brother - Harbottle and Jonas

Review by Les Ray

The Sea is My Brother Harbottle JonasOn my radio show “Strummers & Dreamers” I chose this sea-themed album as one of my favourites of 2019. The title of the album (and of one of its tracks) is taken from the name of a novel by Jack Kerouac. The album has delightful harmonies from the duo David Harbottle and Freya Jonas, along with lovely instrument arrangements for the songs, with the double bass, cello and violin particularly worthy of note.

As mentioned, this is very much an album of songs of the sea, more particularly, its heroes (A Lady Awake), victims (Lost to the Sea, Saved Alone) and both (Fr. Thomas Byles), in four of its standout tracks. My favourite song on the album is A Lady Awake, the story of the heroism of Grace Darling, the lighthouse keeper's daughter who rescued the survivors from the wrecked steamship Forfarshire in 1838, which to me brings to mind the music of Seth Lakeman. Lovely guitar work by Harbottle and upbeat melody line and vocals despite the dramatic theme in this traditional-style ballad.

Read more: The Sea is My Brother - Harbottle and Jonas

Suffolk Folk

Norfolk Folk Association