The Silburys – Live at Spring Fest
Review by Holly D Johnston
The Silburys are a full-band extension of Silbury Hill, the well-known guitar, mandolin, flute duo playing regularly around East Anglia. Here, Scott Dolling and David Stainer are joined by Diz Deacon on bass / 12-string, and Martin Linford on drums. When this live album arrived on my doorstep for review, I was delighted to realise I had been at the event when this was recorded and am one of the lucky listeners who can reminisce from my armchair.
The first thing to say is that this is indeed a live recording. How often do you buy a CD at a gig only discover a recording baring no resemblance to what you heard on the night? This CD packs all of the energy and enthusiasm you see, feel and hear at a Silbury gig. As they state on the press release – ‘no overdubs’; just pure bottled - or canned! - Silburys. This CD is live, complete with breath sounds (in ‘House of the King’ for example), enthusiastic applause and the flow and ebb of real music.
The Silburys repeatedly deliver homebred storytelling with tales from our own East Anglian soil. This eight track album includes a song about ‘Thomas Wolsey’, ‘The Dunwich Bells’ about the town lost to sea, and ‘London’ a ship discovered sunk off the Essex coastline . But what’s folk without a dose of innuendo? The ‘Bonny Black Hare’ is a bass led, throbbing interpretation of a traditional song that tips no hat to socks and sandals and will have your toes tapping, hips moving and body marching you will-lessly out onto the dance floor.
On first listening to this recording made by East Anglian musicians, it took me back to music I’d first heard and been thrilled by in the mid-1970s: The Old Swan Band’s first recording: No Reels. Until that point I’d been a folk rock fan obsessed by the music of the Albion Dance Band, specifically the sophisticated drum and bass dominated The Prospect Before Us. That is still one of my favourite albums, but the appearance of No Reels sent me to music from older Topic label recordings: English Country Music (1965) and Country Music from East Anglia (1973). I felt that this was music that would have been played by the people of my grandparents’ and great-grandparents’ generation and I identified with it.
Waterbound is the third full–length offering from the Norwich–based folk trio Alden Patterson and Dashwood (Christina Aiden on vocals and guitar, Alex Patterson on fiddle, vocals and shruti and Noel Dashwood on vocals and dobro guitar). It’s a refreshingly different listen from many similar offerings for one simple reason. The entire album of nine tracks was recorded in a studio in just ten hours. They played every track twice and chose one of them for the album. In only one case did they choose the second recording. There was no editing and no overdubs added. It’s an album stripped down to the basics
I’ve said it before and I’ll say it again, Vicki and Jonny are among the hardest working musicians on the folk scene. In addition to their vast performance schedule (sadly now covid-19 depleted), they have a back catalogue of 10 albums (some with supporting musicians) and eight books of tunes. When not playing the true folk stuff, they can be found in medieval garb at castles, Victorian costume at Christmas markets and in 17th century finery for the Playford experience. Jonny has even done a stint at the Globe Theatre. I’m guessing that for 'contra' they dress in their own clothes.
On my radio show “Strummers & Dreamers” I chose this sea-themed album as one of my favourites of 2019. The title of the album (and of one of its tracks) is taken from the name of a novel by Jack Kerouac. The album has delightful harmonies from the duo David Harbottle and Freya Jonas, along with lovely instrument arrangements for the songs, with the double bass, cello and violin particularly worthy of note.
I selected this fine album by Northumbrian duo The Brothers Gillespie as one of my favourites of 2019 (although technically it was released at the end of 2018). It is an absolute joy, particularly on account of what Sam Lee refers to as “the glorious tones of their blood harmony”: sibling voices totally in synch, singing passionately.
Excellent! Excellent! Excellent!