A Little Cup of Tea - Proper English
Review by Les Ray
I must start with a small confession: I’m not a huge fan of traditional folk, as I’m more passionate about singer-songwriters, being a songwriter myself. Having said that, I have no hesitation in saying that I thoroughly enjoyed listening to this CD.
Based in Suffolk, Proper English are Ed Caines, Rob Neal and Derek Simpson, who play a number of instruments and all sing, taking lead in turns and providing nice harmonies. Their website calls the album “a mix of songs and tunes we have performed over the last 40 years”, while the liner notes say the band “have always been more interested in performing live”. Listening to the CD, both statements make complete sense: the huge scope and depth of the material included (no less than 21 tracks) make it clear that the band have truly immersed themselves in local folk music over the last 40 years, and the recording itself has a real live feel, taking the listener through a range of emotions as a live gig would, with performances that are entertaining and enthusiastic, if occasionally a bit rough around the edges.
Many of the poems of Robert Burns are obviously written with a tune in mind, usually a traditional tune, and many Scottish artists, such as Dougie Maclean, Dick Gaughan and Nigel Denver, have recorded familiar Burns songs. Katherine Campbell, who comes from a family of traditional musicians, is well steeped in the tradition of Scots songs which she has brought to the study of Burns’ songs and poems (with Dr Emily Lyle of Edinburgh University – their work is being published in a book Robert Burns and the Discovery and Re-creation of Scottish Song). 
It was with some trepidation that I played this CD not knowing Innes Watson’s work let alone his guitarcolloquium project. I was concerned that I wouldn’t like it and I hate being negative about an artist's work. However, I need not have been concerned, from the very start the collaboration of Glasgow based musicians, led by Innes Watson, sound very tight; the quality, style and performance of the music is, to me, characteristic of musical collaborations I have heard in Scotland
Dick Gaughan has been off the road for the last three or so years after an MRI scan in October 2016 showed that he had suffered a stroke several months earlier. Recently tapes of a Dick Gaughan in concert in Cambridge Massachusetts in 1982 have come to light. Hearing the tapes Ian Green and Ian McCalman of Greentrax Records, Edinburgh agreed that they were vintage Gaughan performances and decided to release the recordings on CD to help raise money to support Dick in his recovery.
This is the first full length album from East Anglian young musician Finn Collinson. An interesting and varied collection played by Finn on mainly alto and tenor recorders, also whistle, guitar, bouzouki, mandolin and vocals. Other musicians called in to assist on the album are Emma Beach (oboe, cor anglais, vocals), Archie Churchill-Moss (diatonic button accordion, guitar), Josh Clark (percussion, electric bass), Ronan Collinson/Katriona Gilmore (fiddle), Jonno Gaze (drums, percussion) and Tom leader (double bass, guitars). However, this is not a huge band effort and the musicians are used as tastefully as possible enabling Finn to shine as the main musician. The album does make a blistering beginning with full band tune set January Walk, there are two trad songs, Hanging Johnny and Banks of the Nile, sung by Finn and Emma, and a lovely version of the Rankin Family’s Orangedale Whistle, which, as Finn explains in the notes, is a song accepting and embracing change, something we must all do. He has included his own composition Folkeast Waltz, dedicated to John and Becky Marshall-Potter who, by creating the annual Folkeast Festival, have done much to promote local and national folk music in East Anglia. My particular album favourites are Black Mountains, Finn’s own composition played simply on recorder and Emma’s cor anglais, and Tune for the Bullfinch, from the 1717 Bird Fancyer’s Delight, beautiful overdubbed alto and bass recorders to imitate birdsong, merging into real garden birdsong. There are echoes of Flook and 1990s Irish band Diesel in the album, but this is an album focusing, unusually, on the recorder, where Finn has developed his own style. Call to Mind is testament to Finn being rightly considered as one of our area’s foremost young folk performers.
Vicki Swan & Jonny Dyer blend traditional material with contemporary sounds. Their performances showcase new interpretations of old songs alongside original self-penned tunes and new contemporary songs that are entirely at home in the tradition.
Tyburn Road is a project which unites two of Oxfordshire’s best known folk performers and has given rise to this CD of songs and tunes arranged in three sections, Rakes, Sailors,and Country Pursuits. Accompaniment is provided, where needed, with Ian playing melodeon and Dave playing an assortment of English style concertinas. A chorus is provided by The Eynsham Crew.