Milkmaid Molly

• Morris

INCLUSIVE MORRIS

Milkmaid Molly’s whole ethos is to support vulnerable and disadvantaged people to enrich their lives through the joy of music and movement.

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Susue Ungerleider at The Canopy Theatre

SUZIE UNGERLEIDER Canopy Theatre Hungate Church Beccles  Saturday 11^th April 2026 7.30 p.m.

“Superlative scene-setter and story-teller” - Uncut magazine

After 23 years away chasing dreams in Toronto, three-time JUNO nominee Suzie Ungerleider (formerly performing and recording as Oh Susanna) returned home to Vancouver, drawn by its salt air and towering trees. Her latest album, Among the Evergreens, is a deeply personal journey through time, tracing her path from youthful dreams to the wisdom of experience.

“It’s about being like a tree with all those rings around you, the layers of your life telling you who you are and where you've been,” she says. Imagery of the outdoors, of green valleys and trees shedding their leaves, infuses this new collection and it is garnering high praise as one of her best.

Uncut Magazine describes Among the Evergreens as “thoughtful, luminous, expressive” and featured it as Americana Album of the Month for June 2025. Mojo Magazine’s four-star review glowed that these 10 new songs are “as sweet as folk-Americana comes.”

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Me and my recorder

by Val Haines

There’s a meme going around social media: just when you think parenting can’t get any harder your kid comes home with a recorder. Us recorder players still have a lot of convincing to do.

Flashback to 1969. I’m at primary school and we are told to line up and take a recorder out of a large box. I’m at the back of the queue, as always, as my name is at the back of the Early daysalphabet. When I get to the box there is one left, a dark brown one, Bakelite I learned much later. Everybody else has a pale wooden recorder with a white top. Appearance is not the only difference I realise as we all begin to blow. Everybody else’s sound like asthmatic mice – mine sounds like a bird. Nothing I can do can make my recorder wheeze like theirs and this beautiful sound encouraged me on.  

Unlike the current meme my parents never objected to my recorder. We were told don’t take the recorder home. I took it home. We were told don’t tell your parents you have to buy one. I told my parents we had to buy one, after all once a week playing wasn’t enough, but I had to wait until my eleventh birthday. The night before I could hear my dad blowing it and my mum saying shhh, she’ll hear you. I was too excited to sleep.

I found early on that I could play lots of tunes from memory which meant that if I had to read music it slowed me down. There seemed to be an automatic connection from ears to brain to fingers. When I heard Sparky’s Magic Piano on the radio, I thought yes, that’s how it works. My teacher liked my playing and asked me to play in assembly. I refused to play alone and asked a friend to join me. We played together but I didn’t enjoy it at all. She was too loud and blew all wrong and didn’t think about how it could sound nice. I was too shy to play on my own in public so continued to march around the house playing instead: TV adverts, hymns, pop songs, anything. Then it was time to go to secondary school and I got my trumpet, flugel horn and cornet. Recorders became a bit childish, but at least you could hide them in your bag.

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Frederick (Fred) Sanders - an appreciation

• Suffolk
• Essex
• Morris

Fred Sanders

Neville Parry, Squire of The Morris Men of Little Egypt has sent the following tribute to Frederick Sanders.

“It is with immense sadness and grief that we announce the passing of our dear friend and Founder of the Morris Men of Little Egypt, Frederick Sanders.  Frederick passed away at home on Monday 24^th May surrounded by his beloved family.

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Thorington Theatre

Introducing Thorington Theatre

The new 350-seat outdoor live music and theatre venue on the Suffolk Coast. Built in the husk of a WWII bomb crater that has been reclaimed by nature, the theatre is surrounded by woodland, birdsong and the gentle rustling of trees.

For those that haven’t been yet, Thorington Theatre are quickly establishing themselves as one of the best live music venues in the region. Not only is the calibre of performer improving year on year, but the theatre also serves as a woodland getaway. It’s a hidden gem in an area of outstanding natural beauty, where you can leave the hustle and bustle of the everyday behind and soak in the great outdoors with a drink in hand. Last season (Summer 2022) groups like, The Spooky Men’s Chorale, Alabama 3, James Righton, John Etheridge and more blew audiences away with shows that blurred the line between audience and performers. The layout of the stage space puts performers within touching distance.

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Hannah Scott at The Canopy Theatre

Hannah Scott - Canopy Theatre, Hungate Church, Beccles Saturday 25^th April 2026            7.30 p.m

The best stories make us feel deeply and in the 15 years she has been writing and performing, Hannah Scott has become an exceptional storyteller. Her music is shaped by human connections, with family, in all its chaos and glory, sitting at the heart of her work. Her lyrics are powerful and poignant, and her voice feels strangely familiar, though you can’t quite put your finger on why. Her writing may be deeply personal but her music has a universal appeal that goes beyond the melodies you catch yourself humming in the days after listening to her songs.

The connection she builds with her audiences is most evident in the stories shared by audience members after her performances: the woman whose elderly mother lost a sibling in childhood and is moved to tears by Boy In The Frame; the young father who, upon hearing My Dad & I, realises he wants to spend more time with his small children; the adoptive parents who, like Hannah as a step-parent, may not have been the first person to hold their child, but Love You Like I Did. A deep-rooted desire for this connection has always been the driving force behind her songwriting and live performances.

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